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Remember when everyone talked about how we would be a paperless society? And yet, the trend toward government and business entities wanting digital documents is growing. Paperless allows you to keep up and maintain the task of organizing all your receipts and documents, simply and easily, just like it should be.
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Although Tchaikowsky's skull was not used in the performances of this production, its use during rehearsals affected some interpretations and line readings: for example, Rylance delivered the line "That skull had a tongue in it, and could sing once" with especial reproach.
In this production, Hamlet retained Yorick's skull throughout subsequent scenes, and it was eventually placed on a mantelpiece as a "talisman" during his final duel with Laertes.
It was also a familiar motif in emblem books and tombs.
Musical director Claire van Kampen, who later married Rylance, recalled: As a company, we all felt most privileged to be able to work the gravedigger scene with a real skull ...
The sight of Yorick's skull evokes a monologue from Prince Hamlet on mortality: Alas, poor Yorick! (Hamlet, V.i) The opening words are very commonly misquoted as "Alas, poor Yorick!
I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! Here hung those lips that I have kissed I know not how oft. I knew him well." It has often been suggested that Shakespeare intended his audience to connect Yorick with the Elizabethan comedian Richard Tarlton, a star performer of the pre-Shakespearian stage, who had been dead for around the same time as Yorick in the play.
The contrast between Yorick as "a fellow of infinite jest, of most excellent fancy" and his grim remains is a variation on the theme of earthly vanity (cf.
Vanitas): death being unavoidable, the things of this life are inconsequential.